Sunday, February 09, 2014

COLLINS - DOERNER - KARTADINATA

performing on FRIDAY 28 FEBRUARY / 21:00

@ K77 (lichtblik kino) - Kastanienallee 77 - 10435 BERLIN prenzlauerberg



NICHOLAS COLLINS + AXEL DOERNER + SUKANDAR KARTADINATA

DATE: FRIDAY 28 FEBRUARY

VENUE: K77 (lichtblik kino) - Kastanienallee 77 - 10435 BERLIN prenzlauerberg

bar opens 21:00 / music starts 22:00

ARTIST INFO

NICHOLAS COLLINS



Originally from New York, Nicolas Collins lived in Amsterdam and Berlin in the 1990s before joining the Department of Sound at the School of the Art Institute of Chicago. An early adopter of microcomputers for live performance, Collins also makes use of electronic circuitry, conventional acoustic instruments, and hybrid electro-acoustic instruments. He is editor-in-chief of the Leonardo Music Journal, and his book, Handmade Electronic Music – The Art of Hardware Hacking (Routledge), has influenced emerging electronic music worldwide. Collins has the dubious distinction of having played at both CBGB and the Concertgebouw.

www.nicolascollins.com

AXEL DOERNER



Trumpet, electronics, composition; studied piano in Arnhem (NL) from 1988 - 89, then piano and trumpet (with Malte Burba) at the Musikhochschule, Cologne from 1989 - 94. Moved to Berlin in 1994. He has worked together with numerous internationally respected figures in the fields of "Improvised Music", "Composed Contemporary Music", "Jazz" and "Electronic Music". He has developed a unique style of trumpet playing based in part on unusual, often self-invented techniques. He has toured in Europe, North and South America, Australia, Japan and Asia and appeared on numerous CD and record releases.

www.berlinsplitter.org

SUKANDAR KARTADINATA



Sukandar Kartadinata crafts modern musical instruments made from code and microchips rather than wood or brass. His designs are usually custom-made depending on the specific needs of individual musicians or media artists. Kartadinata studied computer science at FH Karlsruhe, but developed most of his skills while working at the music technology institutions ZKM, STEIM, and CNMAT, as well as the Topophonien project. From the latter he derived his interest in spatialization, applied for example in the Neo-Bechstein duo or more recently to his amplified guitar case. His main focus though is on interfacing between real and virtual domains, typically via sensors and associated technology. Where projects allow he strives for embedded solutions, to imbue his instruments with a stronger identity untethered from the typical tangle of assorted gear. In his musical practice Kartadinata combines the above with his electric guitar playing where the emphasis is on improvisation and extended playing techniques, being rooted in the Berlin echtzeitmusik community. His guitar is a rare case where he actually complements modern technology with wood and brass.

www.glui.de
www.sukandar.de